designworkplan


Font Series: Arial is everywhere

by Sander Baumann. Average Reading Time: almost 5 minutes.

Arial, a con­tem­po­rary sans serif type­face by Robin Nicholas and Patri­cia Saun­ders designed for Mono­type in 1982. If you are famil­iar with a com­puter you must know Arial, one the most used “stan­dard” type­faces for “nor­mal” com­puter usage. Most pro­fes­sional design­ers and typophiles think of Arial as a copied type­face from Hel­vetica and while read­ing the The Scourge of Arial by Mark Simon­son Stu­dio I have real­ized this is in fact a true story.

The type­face became free with the release of Win­dows 3.1, which was a sales hit and Arial quickly gained spread around the globe. The main rea­son why Microsoft chose Arial as stan­dard type­face is because of the license fee from the orig­i­nal Helvec­tia type­face by the Haas Foundry was too high. Missed change to edu­cate the world about the won­der­ful Grostek family.

Arial vs Helvetica

180px-arial_helvetica_overlay2svg
There are sev­eral glyps of the type­faces sim­i­lar and some of them are dif­fer­ent. Due the sim­i­lar­ity Arial is often (unfor­tu­nately) mis­taken for Hel­vetica, the dif­fer­ences between these two type­faces is explained in an arti­cle on iLT, both type­faces are shown next to each other mak­ing it eas­ier to recognize.

Today Arial belongs to Lino­type as Mono­type Original:

Arial is an extremely ver­sa­tile fam­ily of type­faces which can be used with equal suc­cess for text set­ting in reports, pre­sen­ta­tions, mag­a­zines etc, and for dis­play use in news­pa­pers, adver­tis­ing and promotions.

With­out fur­ther due:

Arial is everywhere!

Arial is everywhere
Pass­ing by an adver­tise­ment by a Dutch web­site about flight tick­ets, noticed the Arial Black at the top, when vis­it­ing the web­site also all other text is designed using Arial.

Adver­tise­ment sign

Arial is everywhere
Dri­ving on the high­way when I spot­ted the Arial here in this adver­tise­ment, it seems to be an Ger­man cloth­ing com­pany using Arial for their logo, the pay­off of Gerry Weber seems to be in a Futura.

Thai cui­sine

Arial is everywhere
Love the Thai cui­sine and went to this small restau­rant in Ams­ter­dam, the win­dow signs and menu is done using the type Arial Black.

High­way truck

Arial is everywhere
Another high­way shot tak­ing while dri­ving… Here is a clear usage of Arial Black italic for the logo and text.

Mirabeau*

Arial is everywhere
A large Dutch inter­net com­pany is using Arial for the illu­mi­nated signs, at first I was mis­lead, Mirabeau* using Arial? I only really rec­og­nized it by the let­ter “R”, vis­it­ing the web­site it seems they have changed the type­face of the logo.

Clear­ing out the garage

Arial is everywhere
Throw­ing away old stuff… And found a small travel rain­coat. Used type­face Arial Black.

Swarzkopf

Arial is everywhere
Say again… Swarzkopf is using Arial? My wife bought some­thing to color hair and while brush­ing my teeth I couldn’t believe my eyes. Quickly went to the store and yes… Swarzkopf is using Arial!

Tommy Hill­figer

Arial is everywhere
Yet another large com­pany is using Arial, this time I found a print on my wife her shoe­box all let­ter­ing is using the type­face Arial.

Kaldi Koffie

Arial is everywhere
This is actu­ally one of the few brand where they con­sis­tently use Arial for all their visual com­mu­ni­ca­tions. This Dutch Cof­fee shop uses Arial for their logo, text and shop­ping branding.

Vehi­cle signage

Arial is everywhere
Wait­ing for the light to turn green, just had enough time to take this photo. This van has some let­ter­ing done using type­face Arial.

Hotel signs

Arial is everywhere
Went ski­ing about two weeks ago and never have I seen that much usage of Arial. Here the hotel used Arial for the name of the hotel and the text.

Get­ting up the mountains

Arial is everywhere
Most of the ski lift in this area (Ischl, Aus­tria) uses Arial as type­face for the name of the ski lift.

Sun ter­ras

Arial is everywhere
Unfor­tu­nately we didn’t have a sunny weather, but when there is you can visit the sun ter­ras. On the doors is placed with etch foil the text “Son­nen­ter­rasse” in Ger­man language.

Ski rental

Arial is everywhere
This shop used Arial for all the visual com­mu­ni­ca­tion, not to men­tion that in this small vil­lage there where three of these shops… Arial is everywhere!

DigiD

Arial is everywhere
Get­ting back and fill­ing out some forms for the gov­ern­ment, in Hol­land there are ways to fill out forms using a dig­i­tal sig­na­ture, called DigiD. I noticed the usage of Arial at the top of this let­ter. Hope­fully this will change towards to new brand iden­tity of the Dutch gov­ern­ment.

UPS

Arial is everywhere
The pack­ages send using UPS are using Arial on their sticker, all infor­ma­tion is printed using Arial.

For sale sign

Arial is everywhere
Due the credit cri­sis many houses are for sale in Ams­ter­dam, the bro­ker puts op V-shape signs with the infor­ma­tion “For Sale”, this bro­ker also uses Arial Black for their name.

Design shop

Arial is everywhere
Every­day I drive pass by this fur­ni­ture shop in Ams­ter­dam, the sell lux­ury design fur­ni­ture, but all the type­face use is Arial Black.

Plum­mer company

Arial is everywhere
This is a large plum­ing com­pany is Ams­ter­dam, they use Arial Black for their logo and other forms of visual communication.

Bike bag

Arial is everywhere
Walk­ing down the streets and spot­ted this printed bike bag which they use to dis­trib­ute fly­ers, type­face used Arial.

License plate holder

Arial is everywhere
Spot­ted this one many, many, many times. A license plate holder for Dutch cars, most of them use Arial to dis­play the name of the garage.

Vehi­cle signs

Arial is everywhere
This plum­mer com­pany uses Arial for their logo and text, designed with icons.

Local cof­fee bar

Arial is everywhere
This local cafe uses Arial Black for their logo on the win­dow, also the open­ing hours and other text is dis­played in Arial.

Avail­abil­ity of type­face Arial

arial

From Iden­ti­font:
Design­ers: Robin Nicholas and Patri­cia Saun­ders
Year: 1990–92
Copy­right: Mono­type Clas­sic Fonts
Pub­lisher: Mono­type
A True­Type ver­sion of this font is pro­vided free with Microsoft Office (Macintosh).

More infor­ma­tion at Lino­type.

Wikipedia

Arial is also a type­face fam­ily com­pris­ing stan­dard Arial (Arial Std) and vari­ants, includ­ing Arial Black, Bold, Extra Bold, Con­densed, Italic, Light, Medium, Mono­spaced, Nar­row, and Rounded. See here for more infor­ma­tion at wikipedia.

So tell me…

This type­face is every­where! Please share and tell me did you have your Arial today?



60 comments on ‘Font Series: Arial is everywhere’

  1. Frank

    Nice arti­cle!

    The Mirabeau logo does look very much like your own…

  2. Vincent

    Fun read!
    Arial is a much used font, but doesn’t seem to bore me…!

  3. Richard

    First off I want to say that I’ve only just recently started tak­ing notice of font faces in this level of detail (coder turned designer). The arti­cle Arial Vs Hel­vetica you link to was very infor­ma­tive in com­paing the two.

    How­ever, I could not help but laugh at half of the com­men­tors in that post. I can­not belive that they can be so over zelous over a type face.

    Now that I’ve seen that arti­cle I do in fact pre­fer Hel­vetica but I have no prob­lem with Arial being every­where in it’s place it’s still a well designed and pro­fe­sional type face no mat­ter how you look at it. I dont belive it’s used just cause it’s there.

  4. Undrln

    Story added…

    Your story was fea­tured in Undrln! Here is the link to vote it up and pro­mote it: http://undrln.com/All/Font-Series-Arial-is-everywhere...

  5. Sander Baumann

    Thanks Frank — for your com­ment, indeed the asterix is the same! Didn’t notice it before, I used Franklin Gotic Bold for the *

    Hi Vin­cent — thanks for your com­ment, I believe that for some pur­poses Arial is a good type­face, but for most designs (signs) I think that there are bet­ter choises.

    Thank you Richard — for your com­ment, just head over over to Typophile and search for Arial, there you will find some strong com­ments regard­ing Arial (the devil). In many cases Arial is a type­face that peo­ple will rec­og­nize, it makes them feel com­fort­able know­ing the type­face. Per­son­ally I pre­fer Hel­vetica above the Arial.

  6. Richard

    Do you think that the aver­age user notices the dif­fer­ence though? What do you meen by it makes them feel com­fort­able? Per­son­ally I don’t think that any­one except for fel­low designer types will take notice…

  7. Leon Paternoster

    I feel your pain, Sander, and can only admire the ded­i­ca­tion you’ve shown in snap­ping pass­ing vans. I think there is a notice­able dif­fer­ence between the two fonts, even to some­one not scru­ti­n­is­ing the lower case ‘t’: Hel­vetica strikes me as less angu­lar, slightly warmer.

    Regard­less of that, a design com­pany really should know bet­ter than to use Arial over Hel­vetica: every designer type will notice.

    Plumbers using Arial is wholly appro­pri­ate — would you trust a plumber who’d both­ered to pur­chase Hel­vetica or a Mac?

    A quick scan round the house reveals Kel­logs uses Arial in its ingredients/small print. Disgraceful.

  8. […] Font Series: Arial is everywhere […]

  9. cruisy soozi

    Well spot­ted! Thought Hel­vetica ruled the world, but maybe not ;O)

  10. Sander

    Nice overview. I must say I never really payed atten­tion to spot­ting the dif­fer­ence. It makes sense to use Arial for a cheap yet famil­iar look, like the plumbers. What strikes my atten­tion though is that so much of your exam­ples are cap­i­talised. Both Arial and Hel­vetica seem very strong and pow­er­ful in upper­case. Do any of you type experts dare to make a good judge­ment whether Arial and Hel­vetica are indeed used more in upper– than low­er­case com­pared to other font families?

  11. Robin Cannon

    I have no strong opin­ion between the two fonts, but I do wish there was more flex­i­bil­ity in Arial use when it comes to web­site design. As a font it’s preva­lent because it’s so sim­ple and can be slightly bland — it’s a ‘no dan­ger’ font. But in terms of large bod­ies of text on screen it’s miles ahead of any of the other web alternatives.

    I do think, how­ever, that Arial (and to a lesser extent) trans­lates really well to an all lower case appear­ance. I’m sur­prised not to see it used more often in that style.

  12. Sander Baumann

    I believe that is not true Richard — it totally depends on the brand or prod­uct you are try­ing to sell. I believe peo­ple will notice the dif­fer­ence and that’s why plum­mers use Arial and BMW is using Helvetica.

    Thank you Leon Pater­nos­ter — for your com­ment, appre­ci­ated! I totally agree with you, a design com­pany / designer should think about the type­face they use and Arial is not one of them. What strikes me is your exam­ple of Kel­logs, as the exam­ples of Swarzkopf above, brands like that have expen­sive brand man­agers and design teams and still they come up with Arial.

    Thanks cruisy soozi — for your comment.

    Hi Sander — thanks for your com­ment, hope you restored your blog again! Good point, didn’t really notice it before but indeed most of the exam­ples are cap­i­tal­ized. Both type­faces work really well in upper­case, I believe this is mostly due the fact that the indi­vid­ual let­ters are some­what boxed, which makes them to work good together. In the other font series Meta and Rotis it is indeed remark­able that those exam­ples are mostly low­er­case, so believe you have a point there. Thanks again for your com­ment, appreciated.

    Hi Robin Can­non — thanks for your com­ment, when it comes to web­site and typog­ra­phy you might want to take a look at this web­site Type­chart, here you can see how type­faces will work for win­dows & mac osx.

  13. Oliver

    If your designer does not have Hel­vetica and uses Arial instead: FIRE HIM!

    If you do not have the money to pay a designer and have to use your Win­dows Sys­tem fonts in Corel Draw: USE COMIC SANS to show really every­body what’s cooking!

    Sorry, but I just had to say this! I really do not under­stand why a designer should use a ripp-off font instead of the much bet­ter orig­i­nal one. Arial is just a very bad designed typo.

    Cheers from bonn, ger­many,
    Oliver

  14. Crystal Olig

    Read this. Arial is a cheater font. “The Scourge of Arial” by Mark Simp­son http://snurl.com/elubf

  15. Jake Freivald

    I’m not a big fan of Arial, and agree that Hel­vetica is much bet­ter; how­ever, I think Arial can be used in heav­ier weights (notice how many of the exam­ples above are Arial Black), and I think Arial Nar­row is a bet­ter type­face than the stan­dard Arial is. As oth­ers have said, all-capital set­tings are bet­ter than those that include low­er­case, too.

    I used to think that Hel­vetica was bet­ter than Arial because of the way it’s squared off, with so many lines either par­al­lel or per­pen­dic­u­lar to the base­line. Since then I’ve seen a bit more Akzi­denz Grotesque, and even with­out those squared-off ele­ments I still like the pro­por­tions bet­ter than Arial’s. That implies to me that there’s some­thing in the pro­por­tions of Arial that just aren’t quite right.

  16. Thomas Philp

    You have typos in your arti­cle. They shouldn’t be hard to spot.

    GL

  17. […] Design­Work­Plan — Font Series: Arial is every­where by Sander Bau­mann Arial IMO, is like a Bud­weiser to Helvetica’s Stella Artois but it’s still bet­ter than Miller Light. […]

  18. jack

    I always fig­ured that what i thought was Arial on splashy adver­tis­ing was some sort of tweaked Aki­denz or Hel­vetica. Espe­cially on logos… but maybe not after read­ing this.

    How­ever, i won­der if Hel­vetica was licensed by MS — do you think Hel­vetica would be as pop­u­lar now or would it be hated because of it’s ubiquity?

    On another note — In art school, i remem­ber being a smar­tass and answer­ing a instructor’s ques­tion of “what’s your favorite type­face” with “Arial” to my class’s enjoyment.

  19. Sander Baumann

    LOL, Oliver — I must take this up into the next employ­ees con­tract :) Unfor­tu­nally on Win­dows you can­not unin­stall Arial, but you can sub­sti­tute Arial for Hel­vetcia with this, see also here.

    HKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Windows\CurrentVersion\FontSubstitutes\“Arial”=“Helvetica”

    Thanks again for your comment!

    Thank you Crys­tal Olig — for bring­ing the arti­cle to the attention.

    Hi Jake Freivald — I totally agree with you that Arial Nar­row is far more bet­ter than Arial reg­u­lar. Below you will find a com­par­i­son with the var­i­ous type­faces (click to enlarge). Thanks for your com­ment, appreciated.

    Arial vs Helvetica

    Thank you Thomas Philp — for point­ing it out, will check it later.

    Hi jack — thank you very much for the back­link, appre­ci­ated. Actu­ally inter­est­ing point, prob­a­bly the same dis­cus­sion with the pop­u­lar­ity of Win­dows vs Mac, what if Mac had ruled the world… (psss… they do;) ) Thanks again for your comment.

  20. […] ‘Font Series: Arial is every­where’ — designworkplan […]

  21. Michał Czernow

    Aren’t we too harsh for Arial. In the men­tioned arti­cle from ilovety­pog­ra­phy I found this frag­ment: “What it’s wrong to do is crit­i­cize Arial as a clone or rip-off of Hel­vetica. It’s not. If Arial is a rip-off of Hel­vetica, then Hel­vetica is a rip-off of Akzi­denz Grotesk; or we could sim­ply say that they are both rip-offs of ear­lier Grotesque faces. The whole rip-off debate is a rather point­less one, I feel. Every face should be con­sid­ered on its own merit. (We don’t crit­i­cise a daugh­ter for look­ing like her mother.)”.

    And don’t you think that the sub­ject of a font’s pop­u­lar­ity is a bit more com­pli­cated. Hel­vetica is very pop­u­lar and com­monly used (there were many exam­ples in that movie “Hel­vetica”) (we don’t cir­ti­cize it, because we like it), but also Comic Sans is very pop­u­lar (it’s got really bad rep­u­ta­tion because of it’s pop­u­lar­ity, and I’ve heard that this is a bit unfair, because it’s a quite good font). Maybe we shouldn’t empha­size so much that Arial is one of the Win­dows fonts (and we all love mac ;) ), it’s cheap, and it’s just a worse Hel­vetica, when we want to esti­mate wether it’s a nice or ugly font.

    And about Hel­vetica — does “When in doubt, use Hel­vetica” (form “The Scourge of Arial”) sound like a really appro­pri­ate rule of good desing? It sounds like: “When you don’t know any­thing about typog­ra­phy, it’s safe to use Hel­vetica, because it is said that it’s beau­ti­ful font”.

    Some doubts I wanted to share :) .

  22. Type Arial is everywhere!

    […] Visit Source. […]

  23. Jimbob

    It seems that type­face snob­bery is still alive and well!

  24. Lee Munroe

    Nice post. This is when you know you’re a true graphic design geek, when you point out the type­faces on ads and pack­ag­ing :)

  25. Sander Baumann

    Thank you Michał Czer­now — for your exten­sive com­ment, very appre­ci­ated! I agree with you on the fact that the dis­cus­sion about rip-off comes down to the rip-off of grotesk faces, this is a point­less dis­cus­sion. Every type­face stands on its own, but Arial is a exactly based on the Hel­vetica design which was used by Microsoft to reduce the costs of font licensing.

    Most peo­ple who use Arial don’t look at type­faces as the type/design com­mu­nity does, I can under­stand why Arial is pop­u­lar, its free and Microsoft is large and this makes is easy to use. At my com­pany I some­times see a adress label printed using Arial, I ask the send­ing depart­ment about it and the answer is “Don’t worry, nobody will notice”. And in fact this is true, Arial is used so com­monly you don’t mind the usage.

    The fact if its a ugly or beau­ti­ful type­face is a very hard ques­tion to answer, what if there were more Macs than Win­dow machines?

    On and on, I am happy to see that Microsoft made a change to the type­face Cal­ibri (by Dutch­man Lucas de Groot) for the replace­ment of Arial in the appli­ca­tions Pow­er­point, Excel and Outlook.

    Thanks Jim­bob & Lee Munroe for your com­ments, appreciated.

  26. Si

    Every type­face stands on its own, but Arial is a exactly based on the Hel­vetica design which was used by Microsoft to reduce the costs of font licensing.”

    That’s not entirely true. Microsoft com­mis­sioned Mono­type to put Arial (a pre-existing font designed for IBM c. 1982) onto Helvetica’s met­rics, as you say to save costs. How­ever the money saved was invested in “hint­ing” the font for the screen. Hel­vetica was pro­duced to cash in on and improve upon AG’s suc­cess. Microsoft wanted to save money, Haas wanted to make money. Judge these moti­va­tions as you will.

  27. […] other mat­ters related to the art and prag­ma­tism in design. Fol­low along as Sander explores the use of the Arial font and what iPhone apps design­ers should […]

  28. […] Novo aqui? Bem-vindo. Eduf Labs é um blog man­tido pelo jor­nal­ista e inter­ac­tion designer Eduardo Fer­nan­des. Traz reflexões e dicas sobre design on e off-line, em até 300 palavras.Assine o feed. Live long and pros­per. Um pub Irlandês. Um blog sobre design. […]

  29. Vera

    Inter­est­ing post.
    Too bad no one both­ered proof-reading before putting it up. There are so many gram­mat­i­cal and spelling errors that I couldn’t bring myself to read the entire thing.

  30. […] The Arial type­face is every­where. Find out more about its his­tory and how it has since spread across the world. And, […]

  31. […] Arial is every­where! Cre­ated in 1982, this font can be found in many dif­fer­ent logos and signs around the […]

  32. […] for typog­ra­phers Arial is every­where A nat­ural his­tory of the @ sign The Palatino story Met­rics Machine 4 (video) Smok­ing type Love, […]

  33. Cyprian Gwóźdź

    I don’t mind Arial. It is aes­thetic, neu­tral and nice font. Of course a lit­tle too pop­u­lar, but if it neu­tral who cares :-) If I have to choose between Arial and Hel­vetica I would choose Hel­vetica. Why? Because both are free, and Hel­vetica was first :-)

  34. EVAN MONACO

    What I love is how many graphic design­ers moan about the use of this font. As if they have some kind of spe­cial intel­li­gence that must be used and this font is to obvi­ous a choice for them.

    Reminds me of pho­tog­ra­phers and the gear you MUST use etc in order to make a great shot. This font has its own look and if used with skill can look great!

  35. […] Just for bal­ance, I should men­tion the very fine arti­cle by Sander Bau­mann enti­tled, Font Series: Arial is every­where. It has some very fine exam­ples of large signs in Arial that are really very strik­ing. Sphere: […]

  36. […] Just for bal­ance, I should men­tion the very fine arti­cle by Sander Bau­mann enti­tled, Font Series: Arial is every­where. It has some very fine exam­ples of large signs in Arial that are really very […]

  37. gonzoblog

    Hi Sander,

    one of the main rea­sons Arial is much used is, I think, because of internet:

    We all know there are very few fonts that really work on the inter­net (with­out using sIFR2.0 or Flash) because all­most every­one has these fonts pre-installed in their Oper­at­ing System.

    So if you want the same ‘look and feel’ in your dig­i­tal media as well in your print­media, then arial isn’t such a dumm choice?

    Safari does it dif­fer­ent: arial in a web­site (CSS) turns out to be hel­vetica in this browser (that’s somet­ing to do with the license of the fonts? So I’ve heard .…)

    Keep up the great work, cheers and ciao .…

  38. Helvetica and Marmite

    […] used to the trauma of Arial, that much-maligned wannabe font which pre­tends to be Hel­vetica, which is even more pop­u­lar these days than the proper­ness of Hel­vetica. And when­ever I see Hel­vetica, much like when­ever I see a kan­ga­roo (not being indige­nous to […]

  39. […] for typog­ra­phers Arial is every­where A nat­ural his­tory of the @ sign The Palatino story Met­rics Machine 4 (video) Smok­ing type Love, […]

  40. john

    Arial here, Arial there .. i wish peo­ple would use other fonts, but because of the lim­ited num­ber of pre-installed fonts on all OS we will have to wait a long time for a higher diver­sity :(

  41. uberVU - social comments

    Social com­ments and ana­lyt­ics for this post…

    This post was men­tioned on Twit­ter by sun­taiyou: Arial is every­where … http://bit.ly/maVl0...

  42. […] 字体:arial […]

  43. […] 字体:arial […]

  44. […] 字体:arial […]

  45. […] 字体:arial […]

  46. […] 字体:arial […]

  47. […] 字体:arial […]

  48. […] I am an Arial fan for rea­sons that typog­ra­phers can write about, but I just “do”. http://www.designworkplan.com/typography-fonts/arial-is-everywhere.htm and http://en.wikipedia.org/wiki/Arial have more to say about this than I could ever put into a […]

  49. […] 字体:arial […]

  50. […] 字体:arial […]

  51. […] 字体:arial […]

  52. Nathan Petrelli

    Nice arti­cle! thanks for use­full this article

  53. […] 字体:arial 我们页面的绝大部分内容字符都是中文,毫无疑问目前为止在网页上最常用也是最通用的显示中文的字体是宋体,但是宋体在显示英文、数字和英文符号时过于糟糕,比如©字符,所以我们一般期望通过CSS来实现用更好的字体样式来显示它们,然后用宋体来显示中文和中文符号。之所以选择arial是因为: […]

  54. John Bloch

    My devel­oper said recently that it was fine to use Google fonts for text. Any thoughts? If that’s true, the choice of “web­safe” faces is expanded tremen­dously. Check out the font “Arimo”–it has more even look, a slightly more pro­nounced bold (good), and the coun­ters don’t fill in as much as Arial.

  55. Richard Vanbergen

    > My devel­oper said recently that it was fine to use Google fonts for text.

    Yes, he’s cor­rect. There are no tech­ni­cal lim­i­ta­tions pre­vent­ing you from using any otf or ttf fonts for a web­site, pro­vided you make allowances for IE6 and con­vert it to eot.

    The only lim­i­ta­tion is legal. When you embed a font in a web page you are tech­ni­cally dis­trib­ut­ing the font freely to any­one that vis­its your site and being archaic insti­tu­tions the font foundries don’t like this very much.

    Google fonts, how­ever, are given away freely[1] so you can embed them and not have to worry about any legal reper­cus­sions. You might also want to have a look at Font Squirrel[2] they have a decent sized list­ing of free fonts and even have a gen­er­a­tor to gen­er­ate the required CSS and make it cross compatible.

    [1] http://www.google.com/webfonts
    [2] http://www.fontsquirrel.com

  56. […] 字体:arial […]

  57. Lady Typeface of Helvetica

    Oh God, I can’t believe some­one ACTUALLY said comic sans was a good type­face! Wow. There are hun­dreds of bet­ter designed “comic style” type­faces out there if you are design­ing a comic book. The only thing comic sans is good for is peo­ple with Dyslexia find it eas­ier to read blocks of text in it because of its hand-written quality.

  58. Bronson

    How can an arti­cle about typog­ra­phy be so replete with spelling errors?

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