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Typography: Citroën rebrand with custom corporate typeface

by Sander Baumann. Average Reading Time: about 2 minutes.

Recently car man­u­fac­turer Cit­roën intro­duced a major rebrand, designed by Lan­dor. The rebrand­ing pro­gram included a com­plete redesign of Citroën’s show­rooms and all visual com­mu­ni­ca­tions. The adver­tise­ments cam­paigns are already changed in the Nether­lands. What I noticed was the usage of a cus­tom type­face instead of the type­face Futura/Gill Sans, as used before. The new cus­tom type­face is mainly used in upper­case. I have searched about the ori­gin of this type­face but noth­ing came up, so far.

Below you will find var­i­ous pho­tos taken with clear usage of the new type­face. I very much like how this type­face works, it has a very sleek and mod­ern look. Espe­cially the thin font vari­ant works really well. It attracted my atten­tion immediately.

Citroen typeface

Citroen typeface

Citroen typeface

The main rea­son the type­face is very eli­gi­ble because of its square glyphs, almost every sin­gle glyphs has the same dimen­sions, which makes it really read­able from a distance.

From a online PDF file I have learned that this cus­tom type­face has three font vari­ants and are named:

  • Cit­roen
  • Citroen-Bold
  • Citroen-Light

From the press release:

Graphic prin­ci­ples for vis­i­bil­ity and con­sis­tency
CITROËN is intro­duc­ing new graphic designs, a sin­gle typog­ra­phy and a unique tone of voice to boost the vis­i­bil­ity and con­sis­tency of the brand. The new brand will uni­ver­sally reflect the Marque’s new sta­tus. The key colours are white, denot­ing open­ness and ele­gance, and red, to express vital­ity, together with black, grey and chrome, for sta­tus and power.

I have not seen many exam­ples using the low­er­case font vari­ant of this cus­tom type­face, so I searched inter­net and found this new folder using the type­face in upper­case and lowercase.

Type­face Cit­roen: Uppercase

Citroen typeface

Type­face Cit­roen: Upper­case & lowercase

Citroen typeface
Citroen typeface
In my opin­ion the upper­case only text is much stronger than the low­er­case vari­ant, but it has a strong dis­tinc­tive look which seems to be bases on a com­bi­na­tion between Futura & Gill Sans. If any one knows who designed the cus­tom type­face please let me know.

Cit­roën Logo

Citroen logo
Since its intro­duc­tion there has been many dis­cus­sions about the logo, per­son­ally I pre­fer the new logo above the old one because of its trans­parency look & feel.

Citroën’s new logo will help reignite inter­est in the iconic brand.

Show­room Cit­roën Amsterdam

Citroen typeface

Design sketch new style

Citroen typeface
As you can see there shall be many changes in design for the show­rooms on the out­side, at the addi­tional infor­ma­tion you can find more sketches of the inte­rior of the new showrooms.

Addi­tional information

Tell me what you think…

What do you think of the new type­face used for Cit­roën?
Do you think this new design look have a pos­i­tive impact on the sales?

Please share your thoughts, thank you in advance!



28 comments on ‘Typography: Citroën rebrand with custom corporate typeface’

  1. […] Con­tin­ued here:  Typog­ra­phy: Cit­roën rebrand with cus­tom cor­po­rate typeface […]

  2. Eivind

    Hi Sander,

    Thank you for this well writ­ten overview of the new Cit­roen branding.

    Maybe they had a new type­face designed because they found that they needed to stand out from the Futura/Gill Sans crowd. I see those type­faces everywhere!

    I also like how tone of voice is part of their new cor­po­rate com­mu­ni­ca­tion. It shows that it’s not just about the visu­als any­more, but about how the brand com­mu­ni­cates holis­ti­cally to its tar­get markets.

  3. Sander Baumann

    Thank you Eivind — for your com­ment, appre­ci­ated! I have browsed many Cit­roen fold­ers and saw many usages of var­i­ous type­faces like Futura and Gill Sans. It was indeed time to stand out and cre­ate guide­lines for how to use a type­face in visual com­mu­ni­ca­tion. Always inter­est­ing to see how one (brand guide­line) can achieve such a thing for a com­pany as large as Citroen.

    So true about the visu­als of the cars, I believe Lan­dor took the design beyond the car and brought it back to the brand Citroen.

    If you have time, search for the book “The Brand Gap”, a beau­ti­ful pre­sen­ta­tion on how design can close the gap between sales and communication.

  4. LC

    The type does work well in the street sig­nage pho­tographs you cap­tured. The clean, mod­ernist lines remind me of Avenir, my cur­rent favorite typeface.

    Per­son­ally, I’d love to see an auto com­pany use a serif in their brand­ing mate­ri­als just to be dif­fer­ent. Even the lux­ury mar­ques (Bent­ley, May­bach, Jaguar, Rolls Royce) have embraced the sans serif. No one wants to be seen as staid, I guess.

  5. Sander Baumann

    Thank you LC — for your com­ment. Indeed it seems to have more of a Ave­nier touch, great notice.

    The only car brands with slab-serif that I could find where: Lan­cia & Maserati.

    Below you will find a com­par­i­son of the var­i­ous typefaces.

    font comparison

  6. […] Typog­ra­phy: Cit­roën rebrand with cus­tom corporate typeface […]

  7. Media Designer

    Wow — that is one GORGEOUS font! Very taste­ful — just enough curl or lig­a­ture to make it flow bet­ter than Futura.
    Love it!

  8. Undrln

    Story added…

    Your story was fea­tured in Undrln! Here is the link to vote it up and pro­mote it: http://undrln.com/All/Typography-Citro-n-rebrand-with-custom-corporate-typeface...

  9. Design Bump

    Story on DesignBump.com…

    Your story was fea­tured in Design Bump! Here is the link to vote it up and pro­mote it: http://designbump.com/Typography/Citroen_introduces_custom_corporate_typeface...

  10. Sander Baumann

    Hi Media Designer — thanks for your com­ment. I also like this cus­tom type­face very much, but take a look at the kern­ing. I per­son­ally don’t like the spac­ing between “CI” for instance, at the low­er­case I have seen also some strange kerning.

  11. […] Visit Source. […]

  12. Mihai Daniel

    Cit­roen sure gains some very valu­able “brand points” with this new rebrand­ing.
    Thanks for shar­ing this overview with us Sander!

  13. Xander

    Great arti­cle, and that is an amaz­ing type­face. Light, easy to read and enough dif­fer­ence to any other out there. (Nice com­par­i­son chart as well) I love the curves on the N and R, but cer­tainly a bit of addi­tional kern­ing could work well.

  14. Sander Baumann

    Hi Mihai Daniel — thank you for your kind words, appre­ci­ated. The rebrand of Cit­roen is one of the first to use these kind of design ele­ments in their visual com­mu­ni­ca­tion. Hope to see other car man­u­fac­tur­ers to follow.

    Thanks Xan­der — for your com­ment, appre­ci­ated. Here in the Nether­lands at this time of writ­ing you can see the ads at almost every cor­ner of the street, and every time I find it a good & mod­ern type­face. At Google Trends you can see a spike in the begin­ning of this year. Maby this rebrand will do some­thing good for the car industry.

    Does any­body know who designed this typeface?

  15. […] Aiko has a retro hip style that reminds me of art deco com­bined with col­lage. Another nice TWIType Sander breaks down Citroen’s re-brand a bit. DWP is a cool (fairly new) […]

  16. Vincent

    Great arti­cle again Sander. I noticed the rebrand a while back at Fontanel. I am def­i­nitely pre­fer­ring the new over the old, much clearer and transparent.

    The typ­face is also great, truly lik­ing the sub­tle bend in the R and the N.

    Did they refreshed the signs in our home­town yet? (Or do they need to hire Bau­mann Sign? ;)

  17. Bart

    I love this type­face. It looks like a slightly altered Gill Sans and it has a cer­tain ‘Schwung’ which makes it dynamic.

  18. Frank

    I think the archi­tec­ture of the Cit­roen Office in Paris is very impres­sive. The front facade is one big logo. The archi­tect didn’t want the name ‘Cit­roen’ on the building.

    Citroen architecture

  19. Roberfreelance

    The facade app it´s a trib­ute to op-art?

  20. Webdesigner

    Wow, what a won­der­ful clean sans-serif type, i love it!!

  21. […] incluir en el pro­ceso de rebrand­ing su nueva tipografía insti­tu­cional. De esto me enteré leyendo este post de Design­Work­Plan, donde pueden ver la nueva marca y […]

  22. Philippines web design

    I love the Type­face Cit­roen, very ele­gant and to apply on web design projects.

  23. gonzoblog

    Hi Sander,

    nice arti­cle, I really love the new type­face. The ‘curved’ R and N give the type­face more energy, more speed … Very nice!

    The ‘webby 2.0′ icon/visual is not one of my favourites though. Keep up the good work, ciao .…

  24. steven moore

    The type­face is styl­ish and has a clas­sic mod­ernist feel, the same can­not be said for the updated logo, it is in my opin­ion appalling. It attempts to project a con­tem­po­rary tech­no­log­i­cally advanced sen­ti­ment and fails. It mas­quer­ades these qual­i­ties with the ren­der­ing and the forced curv­ing of the let­ter­ing. It is pretty hard to beat the sim­plic­ity and beauty of the pre­vi­ous long stand­ing chevrons, even the type, as it too is classic.

    Sorry design­ers : (

  25. Andrew Possehl

    Whoops, they should have stuck with the old one. The new one looks like it was made in 2002.

  26. […] design­work­plan » Typog­ra­phy: Cit­roën rebrand with cus­tom corporate typeface […]

  27. I agree with the com­ments. The type­face is nice and clean, but the logo now looks like a bad graph­ics from the 80′ movies… trad­ing the clas­sic clean, french look for some­thing… amateurish.

    Oh well, I guess it sim­ply proves that even cre­ative direc­tors can have a bad day too. ;)

  28. Charlane Miny

    Is this font up for down­load­ing yet???

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